MAN AND PUDDING: JAMES WOLK & CHERRY COBBLER
CollegeHumor Exclusive: "Weird Al" Yankovic Music Video: FOIL (Parody of "Royals" by Lorde)
Like any budding comedy lovers with a boom box or basic cable, we grew up loving Weird Al Yankovic. So when he asked us to help him make the music video for “Foil” (a parody of “Royals”) off Al’s new album, Mandatory Fun, we agreed. Actually, we high-fived each other, threw up from excitement, composed ourselves and agreed.
Over a few marvelous weeks in February and March, our writers and producers worked with Al to bring his “Foil” video to life. Here is the result in all its Yankovician magnificence, featuring cameos from Patton Oswalt, Thomas Lennon and Robert Ben Garant, as well as CH alumni Elaine Carroll and Andrée Vermeulen.
See behind-the-scenes photos here.
Good news, angermonkey!
I am from the land of Dinosaur Rodeos, but have moved to a place where people are killed by punctuation. Or menstrual periods? Possibly very tiny black holes??? Oh wait, NO deaths. Yes, we are all immortal here in the Hoosier state.
How To Format A Comic Book Script
"Notes as follows:
1) A page header with the book title, number and writer’s name.
2) Each new script page should begin on a new document page. And you can’t miss the page number when it’s big and bold. Often, I have to skim through a script to look for a note or direction. Big page numbers help tremendously.
3) Panel numbers almost as bold and clear as the page number.
4) Panel descriptions for the most part don’t have to be that lengthy unless it’s really necessary. The actions of characters should be here, (not in the lettering area; see #6) set direction, and notes to the other members of the creative team if necessary.
5) Also, the digital age has given us the greatest source of reference that comic creators have ever had access to. Links to reference photos should also be included in the panel description.
6) Under each panel description is the lettering area. Everything that needs to be lettered goes here.
7) Each item in the lettering area should be numbered. If the editor is doing lettering placements, these numbers correspond to the placements sent to the letterer.
8) The call-out of each lettering item and any descriptors like these:
CHARACTER (OFF), meaning the character is speaking from off-panel.
CHARACTER (WHISPER), self-explanatory.
CHARACTER (BURST), meaning the dialogue is shouted and should be in a burst balloon.
CHARACTER (WEAK), character’s dialogue should be diminished.
CHARACTER (SINGING), self-explanatory. Usually accompanied by music notes.
9) Like dialogue, captions have their own descriptors:
NARRATION or CAPTION (CHARACTER), self-explanatory. The inner thoughts of a character.
CAPTION (TIME/PLACE), such as, “New York, 2013.”
CAPTION (VOICE OVER), meaning the character is speaking, but is not in the location shown in the current panel.
10) SFX, self-explanatory, “sound effect”.
11) Dialogue should be indented, NOT tabbed over. If you use tabs, the letterer has to run find/replace searches on the document to delete them all before lettering. (To use indents in MS Word, go: Format / Paragraph / Indents & Spacing.) Dialogue should also be written in plain sentence case, not CAPS.
12) Dialogue that should be bold in the comic, should be bold and/or underlined in the script. If you use caps for bold dialogue, the letterer will have to convert it to sentence case before lettering.
13) Non-English dialogue should be italic. Whole blocks of dialogue that are translated into English, should begin with a , and are usually accompanied by a caption explaining what language is being spoken.”
- Nate Piekos
This is in fact the format I use, and one that I know is being passed around by writers both professional and aspiring. It’s an excellent, intuitive format.